>>25295

I depicted it in an obscure manner because that "something more" is composite; I don't know how other can relate to this, because that's difficult to talk about such things in your usual conversations.

I'll try to explain. I think the first important element is that this «something more» exist within a diversity of phenomenons (or in your reception of it) and can be grasped from any of your five senses.

That «something more» has to do with fiction, to be exact it is like the «hint/trace of a story» triggered by some phenomenon, maybe that's what Proust's reminiscence are about, but it is an extension on this idea because it the «stories/universes» aren't limited to memories.

E.g. today I looked at some flowers (from the top), they were small, pale (almost green), it had rain earlier so they were wet; that view, paired with the rainy day ambiance triggered «something more» i.e. the fugitive vision of a chinese temple garden which felt like a place architectured to fit my current mood.

I would describe that kind of experiences as daydreaming but within the fraction of a second.

But what is very important to me is the connection between the trigger-object and the triggered-dream. And I feel like what is the most "enjoyable" part is the feeling that the trigger is a synonym for the triggered : the flowers I was looking to became much more deep than they were and I felt like I could extract a lot of other things from them.

Also, I am pretty sure a lot of people have this with music; i would be curious to know if anyone else experiences this kind of stuff.